Annual Report Photography for the Watches of Switzerland Group

Familiar faces across the group

Over the past few years, I’ve been photographing people across the Watches of Switzerland Group for its annual reports. These assignments take me from the head office in Leicestershire to showrooms around the UK, photographing colleagues in the places where they work.

I’ve worked with the group for many years, so there’s often someone to catch up with when I arrive. Being a familiar face in showrooms around the country is something I really enjoy.

A smiling showroom colleague in a grey suit standing behind a glass jewellery counter with a tablet.
A showroom colleague holding a watch beside a glass display that reflects his portrait.

There’s plenty of freedom in these shoots, too. Each location offers different backgrounds, light and opportunities, and I enjoy finding ways to photograph people that make use of their surroundings.

People in their working surroundings

At head office, the photographs move between desks, meeting spaces and informal seating areas. A conversation over a laptop gives a different view of someone from a portrait looking straight at the camera. Both have a place in the collection.

The surroundings add useful detail: the watch displays behind a showroom colleague, the monitors on a desk or the tools and materials at a workbench. Together, they show something of the working environment as well as the person.

Two colleagues smiling and talking over mugs at a counter in front of a dark slatted partition.
A colleague in a grey jumper working at a desk with multiple computer monitors.
A colleague in a navy jacket and white T-shirt standing beside a dark slatted partition.
A team member in a white coat and gloves holding a watch at a workbench.
Two colleagues in high-visibility vests using a tape measure beside an outdoor concrete structure.

Photographing while the showrooms stay open

The main challenge is that the showrooms are open for business while I’m photographing. Customers need the team’s attention, and the shoot has to fit around that.

To keep things manageable, I use one light with a large 120cm softbox. It gives me soft light for the portraits while keeping the equipment straightforward to reposition as I move around the showroom.

Whenever a potential customer walks in, I’m ready to pause and step aside. I don’t want to get in the way of a sale. Knowing when to take the photograph and when to give people some space is an important part of working in an open showroom.

A smiling colleague in a dark suit and green tie standing with folded arms in a warmly lit showroom.

Photographs for the annual report and beyond

Although the annual report is the reason for these assignments, the photographs also appear across the group’s website and employee portal. That wider use makes the variety worthwhile: individual portraits sit alongside conversations, colleagues working together and details of their working day.

A colleague in a cream jacket holding a laptop and smiling during a conversation in an office seating area.
A smiling colleague with a laptop talking with two colleagues seated around a table.

It’s a part of my commercial photography work that I particularly enjoy. Returning to a business over several years brings a familiarity that makes the visits rewarding, while different people and locations keep the photography interesting.

Please get in touch if you’re planning an annual report or need photographs of your team at work.

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